The Ultimate How-To Guide For Copying PSX Games

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INFO CONCERNING DISC COLORS

 

Taiyo Yuden produced the original gold/green CDs, which were used during the development of CD-R standards.

Mitsui Toatsu Chemicals invented the process for gold/gold CDs.

Silver/blue CD-R's, manufactured with a process patented by Verbatim, first became widely available in 1996.

Remember the PlayStation was originally released in the United States on 09/09/95 and before that it was released in Japan.

What this means is that the original CD specs that the PlayStation used was probably based on the original green media since the blue media wasn't even available until 1996.

Points to consider:

The color of the CD-R disc is related to the color of the specific dye that was used in the recording layer. This base dye color is modified when the reflective coating (gold or silver) is added.   THIS MEANS THAT THERE IS ONLY ONE DYE COLOR.  BLUE.  Some of the dye-reflective coating combinations appear green, some appear blue and others appear yellow (gold). Visual differences between various media types are irrelevant from the standpoint of their actual operation. At 780 nm, where CD-R recorders and CD-ROM readers function, the media are, for all intents and purposes, indistinguishable from an optical recording standpoint. They all "look" the same to the devices.

The green-bottom CD-R uses the cyanine pigment. By itself, the pigment is blue in color, but together with the gold reflective layer, the bottom appears green. (The old TDK's were gold/green and the bottom was a pretty dark shade of green)

Green media is more forgiving of marginal read/write power variations, making them easier to read on some drives.

The blue media is made of azo pigments. Like cyanine, it is blue in color but unlike the green CD-R it uses a silver reflection layer which gives the blue color.

On the issue of light reflection here is some technical info on gold (Phthalocyanine dye) vs green (cyanine dye):

Phthalocyanine dye has a narrower range for writeability with laser light -- the coherent, tightly focused and precisely calibrated light used in CD-Recorders. The recommended range of laser power for phthalocyanine dye is 5mW, plus or minus .5 mW. The range for cyanine dye is 6mW, plus or minus 1mW. This wider power margin ensures that cyanine media is suitable for a greater range of recording speeds and laser powers. It further ensures that cyanine media offers a higher likelihood of compatibility with more CD recorders. There are two reasons for this, one of which has to do with the possibility that the writing laser may gradually lose power or accurate calibration over its lifetime.

The other reason is that the media defined in the Orange Book itself, and the drives that were designed to record this media, are based on the original Taiyo Yuden cyanine disc. Taiyo Yuden cyanine media is the de facto reference medium for the CD-R industry. Most existing CD Recorders are designed to record to cyanine media. Some CD players and CD-ROM drives will read discs recorded on cyanine media more readily and reliably than they will read discs recorded on phthalocyanine media. This compatibility is tied in with a little-discussed concept known as write strategy.

Compact discs use pits of varying lengths to represent data. The pits are the same width and depth, but their length and the spaces between them vary. The shortest pit is a 3T pit, and the longest, 11T. In CD-Recordable, the pits are replaced by optical marks that, when read by a CD player or CD-ROM drive, appear similar to the pits in molded CDs. The lengths of the pits or marks are time-relative, not absolute; that is, the length is a function of disc spin. A disc that spins at a rate of 1.2 m/s while being recorded will contain marginally shorter 3T to 11T pits than a disc that spins at 1.4 m/s. It will also contain more of them, which allows for greater disc capacity, but that's a topic for another day.

Using laser light to create a microscopic mark of a certain length on dye polymer is not a linear process. Because materials tend to respond differently when they are heated for different lengths of times, a laser setting that produces a light pulse that creates a mark of a given length does not necessarily produce a mark twice as long when the light pulse is twice as long. Similarly, a laser setting that produces a light pulse that creates a mark of a given length in one type or brand of media does not necessarily create a mark of that same length in another type or brand. This problem is compounded by the reading drive's pickup; optical effects can alter the perceived length of a mark, so that what has been recorded may not be the same as what is read. The results of this discrepancy between what is read and what was intended to be written can vary from unreadable discs, to discs with a high rate of errors due to jitter. To compensate for this, recorders can selectively boost or shrink the lengths of individual marks by using a write strategy. This effectively modifies the pit length signature of a recording medium so that the detected signals correspond to the input data patterns.

The Long and Short of It

Cyanine discs use a Long Write Strategy, and phthalocyanine discs use a Short Write Strategy. That is, a longer laser pulse produces a more accurate 3T optical mark on cycanine media, and a shorter laser pulse creates a more accurate 3T optical mark on phthalocyanine media. Write strategy, in the currently available generation of CD-Recordable media and drives, is not adjustable for media type. However, a group of engineers, called OSJ (Orange Book Study Group of Japan) has proposed that all CD-R media manufactured include information in the pregroove of the disc that identifies the type of media and tells the CD Recorder which write strategy to use. This proposal will soon be implemented by the manufacturers of CD-R media and the manufacturers of CD recordable drives.

CD recordable technology is a complex and convoluted subject. There are many factors that come into play when recording a disc: the rate of spin, the formula of the dye, the ambient temperature, the internal temperature, the age of the media, the power and wavelength of the laser, the spacing and size of the marks on the media relative to the speed of the disc, to name but a very few. Media manufacturers are constantly adjusting the myriad factors of disc production, including but certainly not limited to the formula of the dye polymer. CD-R media must combine the properties of compatibility, writeability, readability, and data longevity. To say that a certain dye formula or brand of media is inherently better than another based exclusively on one of these properties is not only simplistic, it is misleading.

Bottom Line many companies like TDK have switched to blue media because it offers all of the same benefits of green media plus it has an ability to maintain reflectivity for longer periods of time thus is has a longer data life of over 100 years. All media isn't created the same. Just because a certain brand has a blue bottom doesn't mean its the same quality as TDK or Verbatim blues. On the other hand just because Maxell gold's may be bad for many doesn't mean Mitsui gold's won't work as many people have reported to use them successfully on PlayStation.

Finally the performance of any piece of media is always a combination of the disc, the drive that recorded it, and the drive that reads it.

Credits:  This is compliation of articles written by Dana Parker and edited versions of a messages originally posted by "PSX Pirate" on the PSX Copy Discussion Forum.

 

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